Vol. 22 No. 1 (2021): Dossier: Musical Biography in Latin American Musicology of The 21st Century

Director: Adriana Cerletti

Editor-in-chief: Leonardo J. Waisman

Guest Editor: Alejandro L. Madrid

Published: 2021-04-13

Dossier

• Presentation of the Dossier: Musical Biography in Latin American Musicology of The 21st Century

  Alejandro L. Madrid

  13-18

  • pdf (Spanish)
  • html (Spanish)

• Inter/Weaving Lives and Discourses. Notes and Reflections on Music Biography and Anti-Biography

  Alejandro L. Madrid

  19-43

  • pdf (Spanish)
  • html (Spanish)

• Regarding a solemn service in the Cathedral of Mexico, a Navarrese insurgent, and the lost score of a Catalan, based in The Colonial Havana. An excuse for an autoethnographic story and the biography of a musical document

  Miriam Escudero

  45-76

  • pdf (Spanish)
  • html (Spanish)

• “The Ending that Never Ends” or The Posthumous Life of Musicians

  Sergio Ospina Romero

  77-99

  • pdf (Spanish)
  • html (Spanish)

• It’s Been Said about “Her”. Gender Significance in the Biographic Discourses about Tita Merello

  Mercedes Liska

  101-144

  • pdf (Spanish)
  • html (Spanish)

Articles

• “La mestiza”: yucatecan realities with cuban flavor. Reception and reinvention of the cuban musical genres inthe Yucatan peninsula as a vehicle of a new regional identity

  Claudio Ramírez Uribe

  147-175

  • pdf (Spanish)
  • html (Spanish)

• The Social and Aesthetic Aspects of Avant-Garde Music According to Leopoldo Hurtado: His Critical View in Revista de Arte (1936) and Other Texts

  María Laura Disandro

  177-200

  • pdf (Spanish)
  • html (Spanish)

Book review

• Gerardo Delgado (selección y revisión). La ópera argentina. Antología. Arias para soprano. Buenos Aires: Barry Editorial, 2019. 196 páginas, ISBN: 978-950-540-034-8.

  Silvina Luz Mansilla

  203-206

  • pdf (Spanish)
  • html (Spanish)

• Matteo Paoletti. A Huge Revolution of Theatrical Commerce: Walter Mocchi and the Italian Musical Theatre Business in South America. Cambridge: Cambridge University Press, University of Cambridge, 2020. 80 páginas, ISBN 978-1-108-79048-2.

  Pedro Augusto Camerata

  206-211

  • pdf (Spanish)
  • html (Spanish)