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Inter/Weaving Lives and Discourses. Notes and Reflections on Music Biography and Anti-Biography

Alejandro L. Madrid

19-43

2021-03-23
Ochoa, Ana María. 2003. Músicas locales en tiempos de globalización. Colección Enciclopedia Latinoamericana de Sociología y Comunicación. Buenos Aires: Grupo Editorial Norma, 131 páginas.

Claudio G. Castro

241-252

2018-05-11
De la música al sonido. La emergencia del sonido en la música de los siglos XX y XXI Makis Solomos (Madrid: Akal, 2025, 342 pages)

Francisco César Eduardo Taborda

144-151

2026-02-16
Nationalism versus Universalism in Roque Cordero's Musical Journalism

David Ernesto Vergara Murillo

37-65

2026-02-16
Creative Induction in Music: Systematic Evaluation of Musical Creation Techniques in Collaborative Improvisations

Ryan Lynus Revoredo Chocano

97-137

2026-02-16
Imaginaries of resistance and utopia in Uruguayan graphic art during the dictatorship, 1969–1985

Marita Fornaro Bordolli

101-133

2026-08-10
Georges Aperghis: the Theatricality of the Musical Gesture and the Musicality of Staging

Jeremías Iturra Astudillo

67-96

2026-02-16
Contra-exilio: The Musical Poetics of Alberto Kurapel

Laura Francisca Jordán González

172-200

2026-08-10
“El Maestro y la Diva”: women jazz musicians who subvert the jazz canon in Bogotá

Daniela González Ramos, Ana Lucía Hurtado Ocampo

67-89

2025-10-22
La gaita rabiosa: nacimiento y consolidación del cuarteto como género de música popular y cordobesa María de los Ángeles Montes (Córdoba: TeseoPress, 2024, 318 pages)

Juan Martín Salandro

139-143

2026-02-16
Andean Rhapsody: Notes of a Cosmopolitan Listener

Stefano Gavagnin

32-50

2024-10-15
Esteban Buch: O juremos con gloria morir. Historia de una épica de estado. Buenos Aires: Editorial Sudamericana, 1994. 211 págs.

Bernardo Illari

143-149

1996-01-01
The reception of Gulhermina Suggia's concerts in Spain

Marina Barba Dávalos

183-206

2023-12-31
Beyond the Self and the Other: Appropriating and Resignifying Practices in Marimba Music in Chiapas

Juan Bermúdez

123-146

2023-12-31
Editorial

Phd. Fátima Graciela Musri - Editor-in-chief

4-5

2023-12-31
Paul Walter Jacob among the foundational pillars of the musical Resistance from occupied Paris (1940-1944)

Pilar Valvanera Pérez Rodríguez

243-273

2026-08-10
Reconfiguring the Nation through Song: Struggles over National Imaginaries in the Chilean Nueva Canción and the Argentine Nuevo Cancionero

Ariel Mamani

134-171

2026-08-10
Editorial

Fátima Graciela Musri

1-2

2022-12-23
Through the knot. Material, gesture and notation in musical creation

Luis Menacho

148-182

2023-12-31
Jacob Collier y Bizarrap: two cases of articulation between connectivity and homelike music production on YouTube

Matías Pragana

172-186

2022-12-23
Mansilla, Silvina Luz. Revista Tárrega (1924-1927). Música, guitarra, artes. Buenos Aires: Educa, 2021. 164 páginas. ISBN 978-987-620-526-9

María Soledad Vega Coria

196-200

2022-12-23
Jorge Horst and the Ideological-Political: An Approach to His Productive Reception of Luigi Nono’s Poetics (With Focus on the All-interval Row)

Pablo Jaureguiberry

153-179

2022-08-22
Virtual Chicha Music in Times of Pandemic in Peru

Arturo Quispe Lázaro

34-56

2022-08-22
La entrevista imposible. Una tarde con Serú Girán. 9 de marzo de 1988 Luciano di Vito y Fernando González (Buenos Aires: VADEMECUM, 2024)

Luis Ramón Pérez Valero

191-195

2024-12-31
Music in Lockdown. On sonic spaces during the Covid-19 pandemic, March – June 2020

Esteban Buch

12-33

2022-07-19

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