No. 19 (2018): Dosier: Musicology and Musical Cognition in Latin America

Director: Diego Madoery

Editor: Leonardo J. Waisman

Guest Editor: Favio Shifres

Published: 2019-03-11

Dossier

• Presentación

  Favio Shifres

  13-14

  • pdf (Spanish)
  • html (Spanish)

• Towards a Cognitively Informed Theory of Musical Rhythm: The Transformation of Thought about Rhythm in Tonal Music

  Federico Wiman

  15-42

  • pdf (Spanish)
  • html (Spanish)

• Making Sense with the Body in Music. The Enlarged Reality of Music Cognition

  Isabel Cecilia Martínez

  43-58

  • pdf (Spanish)
  • html (Spanish)

• Towards a Theory of the Experience of Music: Body, Cognition, and Sense

  Marcos Nogueira

  59-78

  • pdf (Spanish)
  • html (Spanish)

• Tensions between Psychology of Music and Musical Experience in Latin America

  Favio Shifres

  79-102

  • pdf (Spanish)
  • html (Spanish)

Articles

• Sonography of the Pampa: the Pampeanas (1947-1954) by Alberto Ginastera in the Context of the First Peronism

  Omar Corrado

  105-141

  • pdf (Spanish)
  • html (Spanish)

• Through Music to Power: Musical Offices as a Strategy for Political Advancement in the Monastery of St. Catherine of Siena (Córdoba, 18th Century)

  Marisa Restiffo

  143-173

  • pdf (Spanish)
  • html (Spanish)

• From the return of Mercedes Sosa to the assumption of Raúl Alfonsín: emerging actors in Argentine folklore

  Tomás Agustín Mariani

  175-193

  • pdf (Spanish)
  • html (Spanish)

• Pichuco and his “eraser”: differences between text and execution in a tango arranged by Astor Piazzolla for the typical Aníbal Troilo orchestra

  Andrés Serafini

  195-219

  • pdf (Spanish)
  • html (Spanish)

Book review

• Corti, Berenice y Claudio Díaz (compiladores). Música y Discurso. Aproximaciones analíticas desde América Latina. Villa María: EDUVIM, 2017.

  Silvina G. Argüello

  223-227

  • pdf (Spanish)
  • html (Spanish)

• López Ruiz, Oscar. Piazzolla, loco, loco, loco. 25 años de laburo y jodas conviviendo con un genio. Buenos Aires: Gourmet Musical, 2018.

  Omar García Brunelli

  227-228

  • pdf (Spanish)
  • html (Spanish)