No. 15-16 (2015): Dossier: Studies on Tango

RAM_15-16_Cubierta

Directors: Leonardo Waisman and Silvina Luz Mansilla

Guest editor: Omar García Brunelli

Proofreaders: Silvina Luz Mansilla and Marcela Abad

Published: 2018-03-10

Dossier

Preface.

Omar García Brunelli

13-16
- pdf (Spanish)
Recent Academic Contributions to the study of Tango

Omar García Brunelli

19-30
- pdf (Spanish)
On Censorship and Correction in Tango Lyrics.

Emiliano Sued

31-44
- pdf (Spanish)
The Problem of Speed of 78 rpm Records. Its Impact on the Aesthetic History of Tango

Enrique Binda, Omar García Brunelli

45-53
- pdf (Spanish)
A New Sound Sensitivity in the Current Tango. The Case of the Orquesta Típica Fernández Fierro.

Camila Juárez

55-66
- pdf (Spanish)
The Tango, from the peringundín to Paris: a Myth without Sources and the Sources of Myth.

Ema Cibotti

67-78
- pdf (Spanish)
The Censorship of Tango by the French Church in the Eve of the Great War (with a Post-scriptum by Erik Satie).

Esteban Buch

79-102
- pdf (Spanish)
The Song’s Monstruo.

Julio Schvartzman

103-120
- pdf (Spanish)
Negracha: Innovative Aspects in Osvaldo Pugliese’s Tango.

Bárbara Varassi Pega

121-134
- pdf (Spanish)
Notes on tango in the music of Julio Viera.

Federico Monjeau

135-142
- pdf (Spanish)
“Marginal” Tangos: Imaginary, Circulation and Interpretation

Marina Cañardo

143-158
- pdf (Spanish)
The waltz in creole and tango music.

Silvina Argüello

159-180
- pdf (Spanish)
El ruido original del tango: viaje al centro de la orquesta típica.

Nicolás Varchausky

181-190
- pdf (Spanish)
The One who Dances Essentially Listens.

Andrea Uchitel

191-196
- pdf (Spanish)

Articles

Theory, Musicology and Antón Pirulero. (A Several-Part Rondo)

Melanie Plesch

199-220
- pdf (Spanish)
The CLAEM and the Argentine Musical Modernity.

Edgardo J. Rodríguez

221-230
- pdf (Spanish)
Paz, Schoenberg, and Abel: an Examination of the Paths they Took Towards Atonality Based Statistical Features of Music.

J. Fernando Anta, Alejandro Martínez

231-250
- pdf (Spanish)
Following in the Footsteps of the “Patriarch”: The review La Quena as a vehicle for understanding the persona and aesthetic of Alberto Williams.

Adriana Valeria Cerletti

321-338
- pdf (Spanish)
Music in Numbers. A Survey on the Concert Programming in Buenos Aires and La Plata (2010-2013). Permanences, Domains and Resistances.

Fabián Beltramino

339-354
- pdf (Spanish)
The Two Banks: Perspectives on Two Recent Operas Premiered in France: Cachafaz by Oscar Strasnoy and Avenida de los Incas 3518 by Fernando Fiszbein.

Martín Liut

251-278
- pdf (Spanish)
For “The Passing to Immortality”: the Sinfonía ‘In Memoriam’ (1953) by Luis Milici.

Omar Corrado

279-320
- pdf (Spanish)
From legüero Bass Drum to Drums Kit. Rhythmic and Textural Changes in the Chacarera.

Diego Madoery, Sergio Mola

355-374
- pdf (Spanish)

Book review