Reflexions on canon, hegemony and esthetic experience.
Article Sidebar
Main Article Content
Abstract
The present text deals with some of the essential points concerning the notion of musical and musicological canons, their mechanisms of formation. their modes of apparition and action. It considers the discussion about some of the opposed concepts of the canon. There are those who conceive it as a settled expression of the esthetic and historic experience of a society, and those who identify it as one of the ways the hegemonic classes and groups exercise their power on the excluded Others. in order to impose their cultural and ideological paradigms. The text refers to the canon as a theoretical problem for the discipline and in particular to the questions rai sed by our study in our own contexts and conditions of study and of production.
Downloads
Article Details
Section
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Attribution-NonCommercial 4.0 International
https://creativecommons.org/licenses/by-nc/4.0/
You are free to:
- Share — copy and redistribute the material in any medium or format.
- Adapt — remix, transform, and build upon the material.
- The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
- Attribution — You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- Non Commercial — You may not use the material for commercial purposes .
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Notices:
You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation .
No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rightsmay limit how you use the material.