Dialectical Soundings and Politics in the Postnational Study of Music.
Keywords:
dialectical soundings, postnational, performance, Walter Benjamin, Latin AmericaAbstract
This article offers an overview of the nationalist ideas behind the development of musicology as a discipline, and focuses on the ways it articulated specific political projects in Latin America. The author suggests the notion of “dialectical soundings” as an alternate way to approach the study of sound and music that would allow for the questioning, critique, and moving beyond the nationalist-political projects that have defined musicological research.
Downloads
Published
Issue
Section
License
Copyright (c) 2015 Asociación Argentina de Musicología
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
ATTRIBUTION-NONCOMMERCIAL 4.0 INTERNATIONAL
https://creativecommons.org/licenses/by-nc/4.0/
You are free to:
- Share — copy and redistribute the material in any medium or format
- Adapt — remix, transform, and build upon the material
- The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
- Attribution — You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- NonCommercial — You may not use the material for commercial purposes .
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Notices:
You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation .
No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rightsmay limit how you use the material.