Fusion and Innovation in “Música de Proyección Folclórica”: On the Style of Eduardo Lagos

Authors

  • Juliana Guerrero Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET)

Keywords:

Buenos Aires, 1960s, “La bacha”,, “La oncena”

Abstract

In this paper the work of the Argentinian musician and composer Eduardo Lagos is examined. The analysis of some of his most emblematic music and the study of the context where he produced his music, allow us to reveal the ground-breaking character of his style, the fusion between folk music and jazz, and the peculiarity of his musical practice where a distinctive playful feature is outlined.

Author Biography

Juliana Guerrero, Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET)

Juliana Guerrero es Doctora en Historia y Teoría de las Artes, por la Universidad de Buenos Aires. Actualmente se desempeña como investigadora asistente en el Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET) y es auxiliar docente en la Facultad de Filosofía y Letras de la Universidad de Buenos Aires. Participa en los proyectos de investigación “Música popular argentina. Análisis e historia en el folclore, rock y tango” (Universidad Nacional de La Plata) y “Prácticas musicales en formación: un estudio etnomusicológico de teorías y casos en situaciones de interculturalidad” (Universidad de Buenos Aires). Es editora asociada de la revista El oído pensante.

Downloads

Published

2018-08-21

Issue

No. 18 (2017): Dosier: The return of the great stories

Section

Articles

License

ATTRIBUTION-NONCOMMERCIAL 4.0 INTERNATIONAL

https://creativecommons.org/licenses/by-nc/4.0/

You are free to:

  1. Share — copy and redistribute the material in any medium or format
  2. Adapt — remix, transform, and build upon the material
  3. The licensor cannot revoke these freedoms as long as you follow the license terms.

Under the following terms:

  1. Attribution — You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
  2. NonCommercial — You may not use the material for commercial purposes .
  3. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

Notices:

You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation .

No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rightsmay limit how you use the material.