Editorial

Authors

Downloads

Download data is not yet available.

Author Biography

  • Fátima Graciela Musri, National University of San Juan, Institut of Musical Studies

    She holds a PhD in Arts (National University of Córdoba), a Master's degree in Latin American Art (National University of Cuyo) and in History (National University of San Juan). She was a Professor of History of Music and Contemporary Arts at the Faculty of Philosophy, Humanities, and Arts at the National University of San Juan and is currently the Director of its Institute of Musical Studies. She researches topics related to local, regional, and Latin American music history, the migration of musicians, and musical genres. She is a lecturer and teacher in master's and doctoral programs at Argentine universities. She has published books and articles in specialized journals in Argentina, Brazil, and Chile. She was Vice President of the Argentine Musicology Association, editor of its Bulletin, and is currently editor-in-chief of its Argentine Musicology Journal. She is a member of the International Musicological Society (IMS) and was a member of the Executive Council of the Regional Association for Latin America and the Caribbean (ARLAC/IMS) between 2021 and 2026. She is the founder of the ARLAC Working Groups on “Music and Newspapers” and “Decolonial Musicology.” She was awarded the Konex Prize for musicology for being one of the five leading figures in the discipline between 2010 and 2019 in Argentina.

References


Published

2026-02-16

Issue

Vol. 26 No. 2 (2025): Dossier: Music Journalism in Latin America: Cultural Processes and Interdisciplinarity, Part 2

Section

Editorial

License

Copyright (c) 2026 Fátima Graciela Musri

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Attribution-NonCommercial 4.0 International

https://creativecommons.org/licenses/by-nc/4.0/

You are free to:

  1. Share — copy and redistribute the material in any medium or format.
  2. Adapt — remix, transform, and build upon the material.
  3. The licensor cannot revoke these freedoms as long as you follow the license terms.

Under the following terms:

  1. Attribution — You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
  2. Non Commercial — You may not use the material for commercial purposes .
  3. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

Notices:

You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation .

No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rightsmay limit how you use the material.

How to Cite

“Editorial”. 2026. Revista Argentina De Musicología 26 (2). https://ojs.aamusicologia.ar/index.php/ram/article/view/565.

Most read articles by the same author(s)

1 2 > >>